Everyman Cinema

What you need to know...

If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to seven billion people. We are coming close to ... Disclosure Day.

Steven Spielberg returns to the skies. After a long absence from the sci-fi genre, the master of cinematic wonder is heading back into the unknown. Disclosure Day lands at Everyman on 12 June 2026, and it promises to be one of the most heavily discussed theatrical events of the summer.

Written by frequent collaborator David Koepp from Spielberg’s own original idea, the film taps directly into our modern obsession with classified files and unexplained phenomena. Emily Blunt leads the cast as Margaret Fairchild, a grounded Kansas City meteorologist whose life turns completely upside down when she begins speaking a chilling, unrecognisable language during a live television broadcast. This terrifying public incident connects her to Daniel (Josh O'Connor), a cybersecurity whistleblower who has just stolen definitive, world-shattering proof that humanity is not alone.

Disclosure Day
Disclosure Day

The two find themselves on the run, desperate to broadcast their discovery to a fragile public. Standing firmly in their way is Noah Scanlon (Colin Firth), a ruthless official and corporate head determined to keep the truth buried at any cost. With a stellar supporting cast that includes Eve Hewson, Wyatt Russell and Colman Domingo, the narrative brilliantly blurs the line between a paranoid, 1970s-style conspiracy thriller and a massive, global mystery.

Prepare for the kind of overwhelming, large-scale spectacle that demands the biggest screen possible. Reunited with legendary composer John Williams and cinematographer Janusz Kamiński, Spielberg is asking the bold question, if we aren't alone, then who deserves to know the truth?

Did you know?

Spielberg didn't just look up for inspiration - he looked at the news. The director has openly stated that the film's paranoid tone was heavily influenced by the recent, real-world congressional hearings regarding unidentified aerial phenomena and government transparency.

See this if you liked...

Close Encounters of the Third Kind (1977), Arrival (2016), Project Hail Mary (2026), Interstellar (2014)

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